SKU: DVD345

In The Mood For Love (DVD) (2000) 香港映画
  • In The Mood For Love image 1
  • In The Mood For Love image 2

完売

In The Mood For Love

  • In The Mood For Love image 1
  • In The Mood For Love image 2

In The Mood For Love

  • In The Mood For Love image 1
  • In The Mood For Love image 2
  • ビデオ
  • NTSC Color - Widescreen
  • オーディオ
  • 広東語 , 中国語
  • 字幕
  • 英語 , 中国語
  • ディスク
  • DVD ディスク
  • 地域コード
  • 地域コード All

完売


  • 商品名 : In The Mood For Love
  • 再生時間: 前後 98分
  • 生産/放送日 : 2000年
  • 発売日 : 2002年09月10日
  • ディスク枚数 : 1 枚
  • 重量 : 150(g)
  • 生産国 : Hong Kong

  • ストーリー紹介
  • This year's festival circuit sees the appearance of three Chinese-language masterpieces, one from each from each of the three Chinese-speaking territories: Wong Kar-wai's In the Mood for Love from Hong Kong; Jia Zhangke's Platform from mainland China and Edward Yang's Yi Yi from Taiwan. Not since 1994 (a year that featured Vive l'Amour, Chungking Express, Ashes of Time, Ermo, and To Live!) have Chinese film masterpieces been so strikingly central to the international art film scene.
    First among these is Wong Kar-wai's best film since 1994. If Fallen Angels and Happy Together are the master's mannerist exercises in stylistic refinement and intensification, In the Mood for Love is a departure; a heartaching, eye-bewitching masterwork that stakes out new ground. It might even signal the beginning of what will some day be called Wong Kar-wai's "middle period".

  • ストーリー紹介
  • This year's festival circuit sees the appearance of three Chinese-language masterpieces, one from each from each of the three Chinese-speaking territories: Wong Kar-wai's In the Mood for Love from Hong Kong; Jia Zhangke's Platform from mainland China and Edward Yang's Yi Yi from Taiwan. Not since 1994 (a year that featured Vive l'Amour, Chungking Express, Ashes of Time, Ermo, and To Live!) have Chinese film masterpieces been so strikingly central to the international art film scene.
    First among these is Wong Kar-wai's best film since 1994. If Fallen Angels and Happy Together are the master's mannerist exercises in stylistic refinement and intensification, In the Mood for Love is a departure; a heartaching, eye-bewitching masterwork that stakes out new ground. It might even signal the beginning of what will some day be called Wong Kar-wai's "middle period".